The first is The Master and Margarita by Bulgakov. This was my first introduction into Russian literature besides the well-known Tolstoy and Dostoevsky works. This book is challenging but so much fun! It is a one- book- a- month book because we would probably have to meet twice just to talk about it. :)
Amazon.com Review
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park --This text refers to the Hardcover edition.The Second is East of Eden by Steinbeck. Probably most of you have read this already but I havent and it fascinates me so it's on my list.
Set in the rich farmland of California's Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families - the Trasks and the Hamiltons - whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Here Steinbeck created some of his most memorable characters and explored his most enduring themes: the mystery of identity; the inexplicability of love; and the murderous consequences of love's absence.
The third is actually a play, The Glass Managerie by Tennessee Williams. I thought this would be fun to read and then watch the play.
Tom begins by introducing the play as a memory play of his own memory of his past. He introduces the character. The start of the play shows the Wingfield family eating dinner. Amanda keeps telling Tom to chew is food, and Tom gets thoroughly annoyed and leaves the table to smoke. Amanda tells her story of 17 gentleman callers. The next day, Laura is sitting at her desk in front of the typewriter chart when Amanda comes in angry. She asks Laura about the business college and tell Laura she found out that she dropped out. Laura explains that she couldn’t handle the class and went walking everyday. Later Amanda sits with Laura and asks her about a boy she liked. Laura points out Jim in the yearbook. Later, Tom gets into an argument with Amanda. Amanda cannot understand why Tom goes to the movies every night. Tom says he cannot stand working for the family like he does. Tom makes his speech about being an assassin and leaves to the movies. He returns late at night drunk, but looses the key. Laura opens the door and Tom tells her about the movie and the magic show he saw, giving her a scarf from the magic show. The next morning, Amanda makes Tom wake up as usual and prepares him for his work. Before he leaves, she asks him to bring home a gentleman caller for Laura. That night Tom informs his mother that he asked Jim O’Conner to dinner the next day. The next day, Laura and Amanda prepare furiously for the dinner getting well dressed and decorating everything. At night, Tom arrives with Jim. After they eat dinner, the lights go out and Amanda brings out the candles. Laura sits alone with Jim. They talk for a while, and Jim kisses Laura, but regrets it. He tells her that he is already engaged, and Laura is devastated. She gives him a glass unicorn which was broken during the night. Jim says good-bye to the family and leaves. Amanda is angry with Tom for not telling them that Jim was engaged, but Tom insists that he did not know. Tom leaves never to return.
